BIOGRAPHYD. Ahsén:nase Douglas, is a "Contemporary Figurative" oil painter and educator. His artwork is said to “capture the essence of human experience and evoke subtle emotions in the viewer.” His paintings focus on capturing the fundamental nature of the human form and emotive expression within the realms of portraiture and the narrative context. Known for their profound and evocative nature, his paintings showcase insight into the complexities of human existence. Although he is self-taught, Douglas has a solid foundation in art history and visual design. His expertise in these areas enhances the depth and meaning of his artwork. In addition to his artistic pursuits, Douglas serves as an Indigenous Artist in Residence with the York Region District School Board and an Educational Partner with the Toronto District School Board. Through these roles, he has the privilege of sharing his art, culture, and stories with students of all ages, enriching their understanding of Indigenous heritage. D. Ahsén:nase Douglas proudly identifies as Kanien'keha:ka (Mohawk) with living roots within the Kahnawà:ke Mohawk Territory. His talent and dedication have earned him recognition from esteemed institutions such as the Ontario Arts Council.
"Figurative art is a record of both individual and cultural importance, documenting our species in all its glory. From our daily lives to our core emotions and values, figurative art is a way of expressing, in a universal language, the triumphs and failures of our shared human existence." - the Art Renewal Center
Artist StatementWhen observing my work, do not ask "what does this mean?" Instead you should ponder "What do I feel?" These works are not simply paint on canvas with a clear-cut explanation, but rather a blend of elements designed to evoke emotions and memories; to allow you to experience something shared, if not profound, just beyond the surface of recognition. I want your senses to grasp for that hidden object beneath the couch, your thoughts to tingle, and your soul to be engulfed by sentiment. Ultimately, I aspire for my paintings to encapsulate a collective experience or recollection, regardless of gender. However, I must acknowledge that my own perspective and experiences are ultimately a male perspective. In the end, if I could articulate the essence of my paintings in words, there would be no need for me to paint them.
Not "Indigenous" Enough The Local, a Toronto based magazine
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Photo by Jennifer Roberts, courtesey of The Local, a Toronto based magazine |
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With a very special thank you to the Ontario Arts Council for all their support.
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